Beyond the Dream Review 2019 Hong Kong 幻愛

 

Beyond the Dream 幻愛
Year: 2019
Director: Kiwi Chow
Writer: Felix Tsang, Kiwi Chow
Cast: Cecilia Chow, Terrance Lau, Nina Paw, Chan-Leung Poon
Running Time: 120 minutes
Country: Hong Kong

Based on the award-winning short film Upstairs (2006), which was also directed by Kiwi Chow, Beyond the Dream became the highest-grossing domestic film in Hong Kong in 2020 since the COVID-19 pandemic. The film also won awards and nominations at a long list of festivals, including Best Adapted Screenplay award at 57th Golden Horse Awards, which is Taiwan's equivalent to the Academy Awards.

Lok (Terrance Lau) is a recovering schizophrenic who yearns for love. One day, he encounters the young and beautiful Yan (Cecilia Choi) and quickly falls in love with her. Just when he struggles whether to tell her about his illness, he has a relapse and becomes delusional. Little does he know that she’s a psychological counsellor who has a hidden agenda. The pair develops a relationship that is beyond their wildest dreams. (Focus Hong Kong)

The film opens with a woman having a mental breakdown on a busy street and rather than anyone trying to help her, most people laugh and take photos. This is an extremely raw and powerful scene that sets the tone for an emotional drama focusing on mental illness and a romantic relationship. Upon initial viewing, this plot might start off seeming predictable, but it quickly twists and turns into something else entirely. The film becomes more complicated as Lok's psychosis worsens, and it definitely requires your full attention to completely understand what is happening in reality, and in his delusions.

Both lead actors give award-worthy performances, with Terrance Lau being a huge surprise. Lau is a former TV actor and he plays this part spectacularly. Portraying someone that is mentally unwell can be a massive challenge, But Lok never takes it too far or turns the character into a stereotype. In fact, it feels like a very honest portrayal which can also become scary at times. Cecilia Choi is also wonderful and plays her roles with a subtle charm, innocence and mystery that still allows you to root for this flawed human being. Whether they are sharing a romantic moment together, or having a full-blown argument, they have great natural on-screen chemistry that enthrals your full attention.

 

  

While the cast and plot are rightfully praised, the production aspects also need commending. The camerawork is rich and varied. And the cinematography and pale colour palette are stunning. The look and feel of this film gel perfectly together, and it's honestly a visual treat. And the shallow depth of field enhances the dream-like nature of the story. The production values raise the expectation of this from another independent film to something greater.

Beyond the Dream is a Hong Kong film through and through, but it's also unique in its film-making methods. The locations used on-screen aren't what people have come to expect in their Hong Kong cinema. They don't spend time glamorising the neon lights and busy shopping streets, and instead, they use their time to build up a real-world that locals actually live in. The use of trains as a plot device is marvellous at separating these characters from one another, or for bringing them closer together. Similarly, the cramped and confined high-rise apartment buildings add to the notion of not having anywhere to escape in moments of need, and that everyone knows all of your business.

While the film can be dark and challenging at times, and sometimes it becomes convoluted, intentional or not. Overall, it's an ambitious film that deserves the attention and accolades it has received thus far.

7.5/10

Beyond The Dream is streaming as part of the Focus Hong Kong Film Festival from the 31st of March until the 6th of April.

 

My Prince Edward Review 2019 Hong Kong 金都

My Prince Edward 金都
Year: 2019
Director: Norris Wong
Writer: Norris Wong
Cast: Stephy Tang, Chu Pak-hong, Jin Kai-jie, Nina Paw, Eman Lam
Running Time: 91 minutes
Country: Hong Kong

The directorial debut of Norris Wong has been one of the most popular and acclaimed Hong Kong films of recent years, winning multiple Best Film, Best New Director and acting awards and screening at festivals around the world.

My Prince Edward is set in Prince Edward district’s Golden Plaza, a shopping mall in Hong Kong best known for bridal shops and cheap wedding supplies. Fong (Stephy Tang) is a clerk at one such bridal shop. She has been with Edward (Chu Pak Hong), the owner of a wedding photography shop in the same mall, for seven years. Everyone sees Edward as Fong’s Prince Charming, destined to head to the altar. The problem is that Fong must first sort out the sham marriage that she was paid to take part in years ago before she can get married for real. (Focus Hong Kong)

My Prince Edward is a clever play on words, set in the Prince Edward district and one of the main characters being named Edward. This small detail made me think the film was going to be a fun Rom-Com, similar in tone to something like My Best Friend's Wedding. But I was pleasantly surprised. My Prince Edward has the romance angle, but there's much more to it than that. This is a very well written story dealing with complicated topics, such as the stigma around divorce, and political issues between Hong Kong and China. The film is very honest, heartfelt and touching. This could easily have become another familiar story, but it's tackled in such an interesting and fresh way, and it leaves many parts of the story up to the viewer's interpretations.

This is not a fairy tale by any means. Stephy Wong's character Fong deals with a lot of problems that are deeper than surface level tropes. It shines a spotlight on Hong Kong marriage culture and questions who is it really for. Is it for the happy couple? Or is it to please the family? Or maybe it's a contract to stop you from leaving each other? Or maybe it's for a VISA or residency? There are clever metaphors and imagery sprinkled throughout to drive these ideas home. Fong is also feeling pressure to get married because of her age, even though she is still in her early thirties. The film is packed full of ideas that viewers can relate to.

My Prince Edward is wonderfully directed, especially for a debut director. The film has snappy pacing and editing. And at a trim 91 minutes, it never outstays its welcome. It also takes its time with the characters and gives them time to develop and breathe. There's some stunning camerawork and cinematography placed throughout. Their apartment has a massive neon sign attached to the building which often illuminates the street and their bedroom with a pink haze. One shot that stood out, in particular, involved an overhead camera while both characters lay in bed with the neon shining in the window to light their faces. There's also a subtle nod to a famous shot from In The Mood For Love if you really pay attention.

 

The small cast were excellent and their character differences made them all stand out from one another. Stephy Tang has turned into a brilliant actress, and this comes across as a very natural performance for her. She received a nomination for Best Actress at the Hong Kong Film Awards for this role, which is well deserved. Chu Pak-hong plays the role of Edward, and during half of the film, you will spend your time wanting to strangle him. His character is overprotective, a tad annoying and even sometimes disinterested. But deep down you can tell that he honestly loves Fong. None of the characters in this film are perfect, and it doesn't ever try to pretend they are. 

My Prince Edward is a modern and uniquely Hong Kong story. It's made specifically with Hong Kong in mind, and it wouldn't quite work if it was set anywhere else. But, the story and the characters are completely universal, and everyone could get something different out of it. Norris Wong has cemented her name as a new director to keep an eye on.

8/10

My Prince Edward is streaming as part of the Focus Hong Kong Film Festival from the 31st of March until the 6th of April.